Literary Universals
Modeled on the study of linguistic universals, the Literary Universals Project has two specific purposes. First, it should facilitate access to established work on literary universals, which has otherwise been scattered. Second, it should foster the advancement of further research on literary universals. These specific purposes should in turn contribute to our more general knowledge about literature and, ultimately, our understanding of the human mind and human society.
Contact
Phone:
(860) 486-2141
E-mail:
Address:
University of Connecticut
Department of English
215 Glenbrook Road, U-4025
Storrs, CT 06269-4025
Department of English
215 Glenbrook Road, U-4025
Storrs, CT 06269-4025
Recent Articles
- Blog for April 2024: The Double: A Literary Universal?LITERARY UNIVERSALS WEBLOG: A series of informal observations and conjectures aimed at fostering more reflection on and discussion about cross-cultural patterns in literature. Patrick Colm Hogan, University of Connecticut I recently re-watched Krzysztof Kieślowski’s The Double Life of Veronique. It is the story of two women—one Polish, one French—who have (different versions of) the same name […]
- Blog for February 2024: Reason and Aesthetic PleasureLITERARY UNIVERSALS WEBLOG: A series of informal observations and conjectures aimed at fostering more reflection on and discussion about cross-cultural patterns in literature. Patrick Colm Hogan, University of Connecticut Back in October, I wrote about Lara Harb’s valuable book (see “Arabic Poetics and Japanese Theatre”). I asked Professor Harb if she wished to respond to […]
- Blog for August 2023: Arabic Poetics and Japanese TheatreLITERARY UNIVERSALS WEBLOG: A series of informal observations and conjectures aimed at fostering more reflection on and discussion about cross-cultural patterns in literature. Patrick Colm Hogan, University of Connecticut I began thinking about the possibility of a weblog for the Literary Universals Project as I was reading two excellent books in the past couple of weeks. […]